The artist explores memory, identity and cultural codes. For visualization this theme she has chosen the most ancient textile technique — felting. However, the artist’s attention is concentrated on a more modern way, needle felting. It allows her to create small realistic looking 3D objects. The choice of this medium helps the artist in working in the theme of memory, because felt — iconic material of many national cultures — is deeply connected with home, traditions, and ancestors.

The artist often includes in her works fruit and vegetables, which are presented in everyday life of every person as an emotional trigger. She spent much time at home, bringing up two daughters, taking care of the home and tiny garden. Fruit and vegetables were a part of her routine life — in the kitchen, garden, market. She used to immerse herself in memories and thoughts about people and events associated with this or that fruit and vegetable.

The artist creates assemblages and installations, which imply, or allow for a tactile experience with viewers. To enhance the effect of immersion in memories, she invites viewers to touch, lift, look into, or move objects.

The author shares her personal experience. She wants to wake up the viewers' memories as well. The viewer can become a participant and sometimes an initiator of the conversation. In matters of keeping memories, the artist has more trust in simple stories of ordinary people than in polished texts from books.